Serviceable sentences, 50/10,000

His [Samuel Johnson’s] was a hungry man’s hard-hearted view of life, more like Merle Haggard’s conservatism than like his later friend Edmund Burke’s.
—Adam Gopnik, “Man of Fetters,” The New Yorker (8 December 2017)

(The comparison is unnecessary—and grossly inaccurate if you imagine New Yorker readers taking it as gospel—but the affinity between all three holds: a political or social orientation that moralizes yet [mostly] eschews complaint & guards against its own transformation into universalist aggression. How many times have you seen Johnson, Burke, or Merle Haggard lyrics* used as a rhetorical bludgeon?

*”Fightin’ Side of Me” &”Okie from Muskogee” don’t count. Hell, the latter was so plasticized with irony—well-nigh Chaucerian levels—that the Hag could never consistently articulate what he was doing with that song in interviews.)

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Serviceable sentences, 24/10,000

Moral convictions alter with the decades, while strong representations of perennial experiences and compelling arrangements of artistic form remain to speak, in astonishingly different ways, to each decade.
—John Pistelli, “In Defense of Aesthetic Criticism” (23 April 2017)

(Technically it’s a violation of my protocol—single sentences serviceable as units or quanta of influence by virtue of an axiomatic, gnomic, knowingly elliptical, or willfully evasive quality—but I append the sentence that follows the above because it points out that quality: “This is so obviously—and even empirically—true that I do not really see how anyone can deny it, unless you find Oedipus the King incomprehensible or unendurable because we no longer expose infants.”)

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